Eyedea & Abilities - By the Throat (2009)

Rhymesayers-based hip-hop duo Eyedea & Abilities return after a 5 year hiatus with somewhat mixed results. They've mostly left behind the aggressive battle lyrics and turntablism that were present on E&A in favor of a more indie rock/electronic type sound.

Eyedea's short stint as the vocalist for rock band Carbon Carousel is pretty apparent here, and many of the songs feature him singing inbetween spitting fat verses. The problem here is that Eyedea isn't a particularly good singer, and the tracks that forgo actual rapping in favor of singing are generally the more successful ones.

The album also gets noticeably better as it goes on; the first 3 or 4 tracks are undeniably the worst part of the album. It really starts to pick up from there though, with excellent tracks such as Sky Diver, Junk, This Story and Smile.

Another thing worth noting is the apparent lack of DJ Abilities. He still makes a few appearances here and there with some scratching, but his contributions are seemingly minimal compared to the first two albums. This can be explained by the complete change in direction sound-wise, but it is still pretty disappointing, considering Abilities used to be an integral part of the E&A sound.

Overall though, I'd say this a fairly solid release. As a hardcore E&A fan, the change was a bit jarring at first, but I managed to find something worth getting excited about inbetween some of the more forgettable tracks. If this is your first experience with Eyedea & Abilities though, I'd skip this and get E&A instead.

1. Hay Fever
2. Spin Cycle
3. Time Flies When You Have A Gun
4. Burn Fetish
5. Sky Diver
6. Junk
7. Forgive Me For My Synapses
8. This Story
9. Factory
10. Smile
11. By The Throat

>> Download (V0 - 58 MB)

Reel Big Fish - Monkeys for Nothing & The Chimps for Free (2007)

If you don't know Reel Big Fish, you didn't listen to the radio in 1997. Their mega-hit "Sell Out" smashed through mainstream playlists and blazed the train for the 3rd Wave punk-ska breakout of the late 90's. They followed that up with a decade of constant touring, honing their stage performances to near perfection, but I've always felt disappointed by their studio catalog since Turn the Radio Off. Their subsequent albums always felt tired, uninspired, formulaic and oddly flavored with more and more hardrock/metal. But after being dropped from Jive Records, Reel Big Fish turned it around with the 2007 Monkeys for Nothing & The Chimps for Free, which I would venture to call their best effort since Turn the Radio Off.

First and foremost this album is fun to listen to. Most tracks are quick, upbeat and have that effortlessly fresh sound that makes ska so fun. The crisp horn riffs, engaging vocals, hectic tempos and "snarky" lyrics that made Reel Big Fish world famous fly out of every track. And as every veteran act does eventually, RBF expands their style a little and ventures into some new territory on a few tracks. The harder, darker and more mature songs sound authentic and work really well here. The laid-back and chill songs feel forced and entirely miss the mark. The standout tracks come in an epic fan service that especially puts a smile on my face when RBF covers and slightly updates "Call Her" and "Hate You", two fan-favorites from their pre-breakout era.

Monkeys does have flow, but isn't bullet-proof as some tracks feel out of place and break up the overall experience. Also the trademark irreverence and "sillyness" critics love to praise RBF for venture into the sophomoric and mornic on occasion here. However, that shouldn't stop die-hard fans and newbies alike from jumping headfirst into Monkeys for Nothing & The Chimps for Free, Reel Big Fish's best studio work in a long time and the spiritual successor to Turn The Radio Off.

-Colin

1. Party Down
2. Another F.U. Song
3. Live Your Dream
4. My Imaginary Friend
5. Slow Down
6. The New Version Of You
7. Will The Revolution Come
8. Another Day in Paradise
9. Everybody's Drunk
10. Please Don't Tell Her I Have a Girlfriend
11. Way Back
12. Hate You
13. Call You
15. Why Do All Girls Think They're Fat?
16. I'm Her Man
17. Til I Hit The Ground
18. Cannibal

>> Download (320 kbps - 118 MB)

Rachel Doe - Rachel Doe's Album (2009)

Rachel Doe has a unique sound, smart lyrics and a versatile voice that all add up to good music. A 20 year old college student studying music in Boston, Rachel writes, performs and records all of her own work in her spare time for fun. And even though I'm putting this on MvA, this isn't exactaly an album, in fact, it barely qualifies as an EP. This is just the collection of songs that Rachel gave me when I asked her for a sampling of her music- the textbook definition of independant, DIY recording.

"Bunny Hey Hey" is the stand out and my personal favorite track here. Lyrically, it brings uniquely off-beat humor that doesn't feel forced or overly silly. Vocally, the distinctly female vocals engage and simply sound great. And you can hear subtle punk/alternative influences in the quick tempo and barebones guitar work which provide great contrast to the "girly" nature of the rest of the song. She plays "Gorgey Porgey," the ballad, in an almost completely different style that makes good use of grunge-esque "loud/soft" structre that works very well against her voice. And "Organism," the shortest track is charmingly "get in, get out" while still having very mature sound.

Bottom line, this isn't really ground breaking or genre redefining, but these tracks are fun and easy to listen to. And it really is refreshing to listen to a solo/acousting female vocalist that doesn't have that late 90s post-grunge "I am woman, hear me roar!" feeling to it.


-Colin

1. Bunny Hey Hey
2. Gorgey Porgey
3. Organism
4. Vegetable Samurai

>> Download (128 kbps- 10 MB)

Big D and the Kids Table - Strictly Rude (2007)

For a band that put out its first self-release, Shot by Lammi, in 1997, Big D and the Kids Table has managed to stay insanely active and independent over the years. Forgoing major labels and keeping an almost legendary DIY stance, the Boston natives managed to criss-cross the country for years touring with some of the biggest names in the game while cultivating a reputation for especially hectic and rowdy shows, even for punk-ska. The 2007 Strictly Rude understandably shocked die-hard fans with its mature, sophisticated and often "chill" approach to what had been before defined as raw, aggressive and energetic. But slower tempos be damned, Big D still brings their A-game in a huge way with Strictly Rude, easily one of the best alternative albums of the decade.

The most remarkable thing about this album is just how fun it is to listen to. The songs are well written, well performed, easy to listen to and very danceable. And it's amazing that a band that has been together for almost two decades can put out a record with at least four legit anthems like "Shining On" and "Try Out Your Voice". Frontman David McWane beautifully crafts authentic, meaningful and smart lyrics and puts them out there with passion, intensity and a healthy dose of melody. Songs move effortlessly from "Joe Sixpac" topics like drinking PBR with friends and getting kicked off the subway to heavyweight themes like political activism, preaching tolerance and substance abuse. And for as much press that Strictly Rude gets for being "chill" and "laid back", Big D proves that they can still turn up the distortion when they want to with "Souped-up Vinyl" and lead-off track "Steady Riot."

I'll have to admit that I personally like the older Big D catalogue a little bit better. Their frantic pace and high energy songs that I've grown to love are definitely missed on this record. But that doesn't mean that the more grown-up Strictly Rude is any less fun to listen to. Big D’s trademark DIY sound, smart and sarcastic lyrics, and authentic local vibe all blast out of every byte on the album. When all is said and done, Strictly Rude is a much more mature and accessible record that has some damn good music on it.

-Colin

1. Steady Riot
2. Noise Complaint
3. Shining On
4. Souped-Up Vinyl
5. Deadpan Face
6. Snakebite
7. Strictly Rude
8. Try Out Your Voice
9. Hell On Earth
10. Fly Away
11. Breaking the Bottle
12. Raw Revolution
13. Relocate the Beat
14. The One
15. She Knows Her Way

>> Download (256 kbps - 82 MB)

Mustard Plug / Bomb The Music Industry - Under the Influence Split Vol. 3 (2008)

Covers can be tricky. You have to strike a balance between staying true to the original source material and infusing it with your own unique sound. Thankfully Mustard Plug's version of "Waiting Room" by Fugazi walks that fine line and does not disappoint.

On this two band, two track EP, Mustard Plug offers passionate vocals, pounding base and ripping guitar riffs that mimic the Fugazi classic strikingly well. The added a layer of punctuating and angsty horns bring a lot and manage to sound right at home. After one or two listens to the MP version, the original almost feels a little empty with out the blaring horns. I think that the real draw here is "Waiting Room", but Burn the Music Industry does a good job with the stylistically different cover of Pavement's alterna-pop "Gold Soundz."

It really is refreshing to see an established band like Mustard Plug to reach out and cut an EP with up-and-comers like BTMI. Industry commentary aside, the unique juxtoposition of underground post-hardcore and alterna-pop covers makes for an interesting 5-minute listen for fans of the original material and ska-freaks alike.

-Colin

1. Waiting Room
2. Gold Soundz

>> Download (192 kbps - 20 MB)

Dubstep Allstars Vol.05: Mixed By N-Type (2007)

Dubstep is a relatively new genre of music with roots that can be traced back to the early 2K Garage Scene in the United Kingdom. Stylistically, it borrows elements from garage, grime, dub/reggae, and drum and bass to create a musical product that is often dark, sparse in rhythm, and bassy. Dubstep is still somewhat of an underground movement, but it has slowly been gaining popularity over the past few years thanks to moderate media attention. I was first introduced to dubstep a little over a year ago with the release of Burial's second album, Untrue. The album received so much critical praise and attention that I had to check it out. I didn't really know what to expect going in, but I wasn't too impressed, and the album remained on my computer untouched for many months to come. Several months ago however, something piqued my interest in dubstep again, and I gave Untrue another shot. I have since fallen in love with the album, and have been exploring this unfamiliar genre of music ever since (Burial's Untrue is probably one of the biggest gateways for new dubstep listeners).

Now when it comes to electronic music, usually the best way to get aquatinted with an unfamiliar genre is to listen to compilation albums. This allows you to get a general feel and explore different artists within the genre without having to acquire a bunch of different albums. This rings true especially for dubstep (any many other styles of electronic music), which revolves more around songs and tunes than full-length albums. The Dubstep Allstars series is one of the more popular (and respected) compilations in the genre, with new volumes being released on what is seemingly a regular basis. Many dubstep purists would probably want you to start with Volumes 1-3 of the series, or even The Roots of Dubstep compilation, but I'm going to tell you otherwise. And while I'm still new to the genre as a whole, Volume 5 is (to me) the most enjoyable of the series and probably the best place for a beginner to start. You can then start to identify particular artists/styles that you enjoy and move on from there. Even if you're already a dubstep listener (you haven't heard this yet?), it's still worth checking out.

Another few things I forgot to mention earlier: One of the cool things about these compilations is that they're mixed by producers from the dubstep scene (in this case, N-Type mixed Vol 5). So not only do you get to see what some of the more popular dubstep producers are digging, but all the tracks blend and transition seamlessly into one another. Perfect for extended listening. Also, to get the best listening experience for dubstep, a good soundsystem or a really nice pair of headphones is highly recommended. There's a lot of really low-end bass in there that might get lost or just cause distortion if your setup isn't up to par. Just something to think about.

1. Hatcha & Benga - Torment
2. LD - Swing Dat Skirt
3. Coki - Not Today
4. Benga & Coki / Clouds - Night / Tease Elder Dub
5. Kromestar - Slow Reaction
6. Landslide vs. SLT Mob - Splurt (Skream Remix)
7. Benga - Drumz West
8. Skream / Fat Freddy's Drop - Chest Boxing / Cay's Cray (Mala Remix)
9. Quantum - Unknown
10. D1 - Malfunction
11. Kromestar - Darth Soul
12. Coki - Volvic
13. Benga - Electric
14. N-Type / Loefah - Way Of The Dub (Caspa Remix) / Midnight
15. Magnetic Man - Soulz (Benga Remix)
16. Distance - Radical
17. Uknown - Burnin'
18. Pinch & Distance - Memory Loss
19. Magnetic Man - Alright What's Happenin'
20. Skream - Make Me
21. Coki - Ruff Lovin'
22. Juju - Punks
23. Tes La Rok - Lickashot
24. Kromestar - Kalawanji 2
25. Tes LA Rok - Roll Out
26. Magnetic Man - Ligma
27. Matty G - 50,000 Watts
28. Benga & Walsh / Coki - Bingo / Bloodthirst
29. Benga - Back in the Day
30. Benga - Crunked Up
31. Hijak - Tears
32. Coki - Red Eye
33. Coki - Soundboy
34. Kromestar - Coca Cola
35. Coki - The Sign
36. The Others - Flapjack Dub
37. Rusko & Casper - Custard Chucker
38. Benga - The Fittest

>> Download (320 kbps - 157 MB)

Burzum - Hvis Lyset Tar Oss (1994)

Hvis Lyset Tar Oss (English translation: If The Light Takes Us) is often regarded as one of, if not the, greatest achievements in black metal history. Not only has the album been a major influence to many different bands (not just black metal), but it is also admired for depicting the black metal genre in it's purest and rawest form.

To better understand Hvis Lyset Tar Oss, we must first take a brief look at the man behind it all, the infamous Varg Vikernes. Varg Vikernes, also known as Count Grishnackh, is the former bassist for black metal pioneers Mayhem. In the early nineties, Varg was convicted of arson upon numerous churches throughout Norway, most notably the Fantoft Stave, a historical building that had been around for centuries (a photograph of the church after it was destroyed was later used for the cover of Burzum's Aske EP). His most notorious crime however, was the murder of Mayhem member Øystein "Euronymous" Aarseth. While his motives for the murder are still relatively unclear, Vikernes himelf claims that he was only acting in self defense and that Euronymous planned to kill him first. His conviction of the murder landed him 21 years in prison, a sentence that he is still living out to this day. And although Vikernes is a self-proclaimed Pagan and an advocate of nationalism and anti-theism, none of these sentiments directly influence the album itself.

While bands like Ulver brought a lighter, folk-influenced sound into black metal, Vikernes chose to go in the opposite direction. The first three tracks of the album are bound to be some of the most morbid and unrelenting songs you will ever hear in your life. The first track, Det Som En Gang Var, is the backbone of the album and arguably one of the best black metal songs ever recorded. It starts off slow, setting up a dark, gloomy atmosphere that will remain for the duration of the album. Then, it continues to build in intensity until you're faced with a haunting, atmospheric, raw wall of sound and presence that does not let up until the final song of the album. Vikernes is also one of the most terrifying vocalists I have ever had the pleasure of listening to. What he lacks in technical ability, he makes up for with raw emotion. His tortured voice pretty much embodies the pure, raw emotion and feeling of black metal. The album continues in this general direction until the forth and final track, Tomhet. Tomhet is the track that brings everything back down and concludes the album. Instead of invoking the same feelings of death and despair as the rest of the album, Tomhet creates a calm and peaceful atmosphere with its droning ambience and soothing keyboards.

The ability of Vikernes to convey so many different emotions throughout one piece of music never ceases to amaze me. On the surface of Hvis Lyset Tar Oss, you'll hear some of the most brutal and despairing music ever. But below its dark and depressive shell, you're likely to discover an atmospherically beautiful album full of raw passion and emotion that has yet to be surpassed. It's certainly not for everyone, but anyone with an open mind or an eclectic taste in music should check this out.

1. Det som en gang var (That Which Once Was)
2. Hvis lyset tar oss (If the Light Takes Us)
3. Inn i slottet fra drømmen (Into the Castle from the Dream)
4. Tomhet (Emptiness)

>> Download (V0 - 85 MB)